Well, I haven't posted in a long time, almost a year. Sorry, first I wanted some way to make sure people wouldn't copy something from this and post it somewhere as their own work, and then I just forgot about my blog....
Anyway, I haven't been working on my stories specifically as much anymore, although I feel I have improved drastically in my writing. Rather, I have spent more time on poems recently, due to my lack of discipline and consistency for longer pieces of work.
Simple, Only for a Minute
Sometimes the
Wise chose to be
Simple, only for a minute, and
Fools laugh at someone trying
To be only
a little girl, speaks. Fools
Chop, chop, chop
Words of the wise
To little sounds,
Mincemeat.
I really enjoyed the abrupt feeling of it as I wrote this.... I normally write smoother poems, though.
Also, I've started writing essays. Here's one I think is cool:
Words are like the labels on points
of A, B, C, and so on. They do not embody fully what they describe; but it is
understood what they refer to.
The meanings of sentences are like
lines connecting dots. In every sentence, one has to make assumptions and have
background knowledge to comprehend what the meaning is. If I say line K’s endpoints are points A and B, and
ask you to draw it on a grid, you can’t unless you already know where the
points are.
When one
describes something, they are pouring out lines that all go through one point
to try and get the listener to grasp this one infinitely definite point. None
of the lines by themselves can clearly define it, but together, the listener
might just be able to truly understand what the other is saying.
Pictures
are like planes. They hold many points and sometimes many lines, but if even
one were changed, it wouldn’t be the same. Sometimes points and lines are
better at describing something, because they can be specific. But sometimes
pictures can be better, because instead of throwing out points and hoping the
listener understands them separately, makes the correct assumptions to form
them into lines, and then can see where they intersect, you can look at an
image and be much more able to see if it embodies your meaning well enough. But
the watcher might think you mean one part of it, when you want them to focus on
another.
Sorry I'm posting so much... I just have done so much within the last year ;)
You watched for me
Wondering where I was
Did you ever regret sending me on?
I was off
AdventuringWhile you waited for me to come home.
You left the window open for me
You let the cold air inYou stayed there
You left the window open
The light shone through the night…The glimmers of your tears shone further.
You left the window up
You made sure I could come backYou put the kiss on my cheek
To call me home
You left the window open for me...
I won’t leave again.You left the window open.
I wrote this because of the origional Peter Pan story. I really liked how it spoke of Mrs. Darling, who, when Wendy and her brothers left with Peter Pan, never closed the window to the nursery because Mrs. Darling was scared that Wendy would come home, but not be able to get in, and so turn around and go back to Neverland, and never see her mother again. (Wow, that's a long sentence).
-- Renee
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